Description
| Brand | ?Nikon |
|---|---|
| Manufacturer | ?Nikon Corporation, Nikon Corporation Shinagawa Intercity Tower C, 2-15-3, Konan, Minato-Ku,Tokyo 106-6290 Japan |
| Model | ?D500 |
| Product Dimensions | ?14.5 x 12 x 18 cm; 860 Grams |
| Item model number | ?D500 |
| Flash Memory Type | ?SDHC, SDXC, SD Card |
| Flash | ?External |
| Hardware Interface | ?SDHC, SDXC, Secure Digital Card |
| Special Features | ?Special effects modes (night vision; super vivid; pop; photo illustration; toy camera effect; miniature effect; selective Colour; |
| Mounting Hardware | ?Body Cap BF-1B, Rechargeable Li-ion Battery EN-EL15 with terminal cover, Battery Charger MH-25a (comes with either an AC wall adapter or power cable of a type and shape that varies with the country or region of sale), USB Cable Clip, HDMI Cable Clip, USB Cable UC-E22, Strap AN-DC17 |
| Display Technology | ?LCD |
| Standing screen display size | ?3.2 Inches |
| Image Stabilization | ?Optical |
| Has Image Stabilization | ?Yes |
| Optical Zoom | ?3 x |
| Optical Sensor Resolution | ?20.9 MP |
| Max Shutter Speed | ?1/8000 to 30 Seconds |
| Min Shutter Speed | ?30 Seconds |
| Min Focal Length | ?16 Millimeters |
| Video Capture Resolution | ?1080p |
| Batteries Included | ?Yes |
| Batteries Required | ?Yes |
| Battery Cell Composition | ?Lithium Ion |
| Continuous Shooting Speed | ?10 fps |
| Connector Type | ?Bluetooth, Wi-Fi |
| Material | ?Polycarbonate |
| Form Factor | ?DSLR |
| Lens Type | ?Standard |
| Mounting Type | ?Nikon F |
| Viewfinder Type | ?Optical |
| Has Self Timer | ?Yes |
| Manufacturer | ?Nikon Corporation |
| Country of Origin | ?Japan |
| Imported By | ?Nikon India PVT.LTD. Plot No: 71,Sector 32, Institutional Area, Gurgaon-122001, Haryana, India.Tel No: 1800-12-7346 |
| Item Weight | ?860 g |
JohnT (verified owner) –
Compared to alternatives, this camera is great. And in this price range I assume you’ve done your research anyway, definitely a great camera! Photo 4/5 Video 5/5 (unless you require face auto focus!) I love the features with mirrorless. Considering this contends with other brands that are double the price, although this will be changing in coming years but so far releases haven’t given me buyers remorse! UI layout is really easy to get to grips with in my opinion, plenty of options. Image quality is great but video is truly where this camera shines! If you require a good all rounder but more video focused, this is a perfect camera that (really!) doesn’t break the bank. Only issue is the lens options but that seems to be growing and the 20-60 kit lens is great considering. Obviously could always be better but then you would end up with more expensive high end lenses so Panasonic have knocked this one out of the pack. The 50mm prime lens is a great lens too, gives you a nice little taster of what can be possible with the lens choice down the line for this mount. Overall I’d give this camera 4.5 but there is no option for that so just rounded up. The auto focus truly does let it down but it would have been a product that could have been a cult classic in years to come due to the fact it’s given double the price quality (lacking a few features but you can’t expect everything!) 8 people found this helpful
Lobo Paracaidista –
I will not bore you with the deatails , theres a million reviews and samples. Good: IBIS – the best nothing can beat it at the moment – my sample above was shot handheld. Image quality – cinema like ( netflix will be aproving it soon if the rumours are right ) PRICE !!!!! Auto focus ! works perfectly for photography, nailed every shot instantly with the native 50mm lens. Bad: Video focus is where this camera will frustrate you. -1080p 422 10 bit – focus is excellent my toddler running around in my room , so light was not the best. Worked perfectly. – 4K 422 10bit (and anything in 4K really) focus struggles keeps breathing and hunting for no reason. this would have been the perfect camera if it wasnt for this. 17 people found this helpful
Linda Dickinson –
For a long time I dreamt about and had my eye on the Sony A7iii. When I eventually saved up enough money to afford one, I was back on YouTube researching my perspective new camera. Then I saw a video comparing the Lumix S5 with the Sony a7iii camera. Many many hours later, I decided to ditch the Sony purchase in favour of the Panasonic. I cannot make a comparative assessment between the two cameras as I never experienced the Sony. Until now, my main camera was a Canon D200. I was very happy with; It’s still a good camera, but the Lumix S5 is a completely different beast and therefore cannot really be compared alongside the Canon. I’m not a stills photographer. I purchased this camera to make content videos and short films. The fact I can do all this in 4k is fantastic. Apparently, with a certain monitor attached, it is capable of recording in 6K. Compared to my Canon APS-C mirrored camera, the Lumix full-frame mirrorless camera is worlds apart. The D200 only offered 1080p. I was happy with the footage, but the Lumix S5 camera blows it out of the water. There is a bit of a learning curve to get used to all the different permutations in the menu, but the results so far are phenomenal. The fact I can shoot slow motion in 1080p at 120 frames per minute is fantastic! I haven’t done much slow motion, but I’m sure I can make use of 4k at 60 frames per minute in some of my shots. I’m not one for relying on auto focus, so all the gripes over the auto focus issues with the Lumix camera aren’t my concern. That said, I haven’t noticed any issues. Almost all of what I do is shot in manual focus. One of the biggest game changers for me (apart from the full-frame sensor), compared against my Canon, is the in-body stabilisation. The D200 did not have it unless I paid a few hundred quid more for a lens that had stabilisation. it’s not even chalk and cheese. Without a gimbal or tripod, I was never able to get satisfactory stable shots with the D200. With some practice, I can get some very steady tripod free shots. I wouldn’t bother wasting several hundred quid on a gimbal. From what I’ve seen on YouTube, the Lumix in-body stabilisation surpasses the Sony. Physically, the Lumix is bigger and heftier than the D200. It feels solid in the hand and the build quality is great. The Lumix S5 cost me around £1,800. The Canon D200 was around £500. The difference in quality and feel was immediately obvious. The kit lens looks and feels much more like a professional lens with a 20 to 70 mm focal length. It’s probably not fair to compare the two cameras, but that’s all I had. The learning curve between these cameras is like comparing a GCSE to a university degree. I know i have much to study and will have this camera a long time before I reach it’s limitations. Obviously, reviews on any product are subjective. If you are looking at this camera and still remain undecided take my word for it, I was in exactly the same position in June 2021. I eventually decided to take the plunge after many hours of research. Besides, in this country, I always had the option to send it back within 30 days for a full refund as long as it was in the same condition that it arrived. However, I didn’t send it back because I believe I made the right choice. I have been delighted with the footage captured so far. 42 people found this helpful
Frowzy –
Although I purchased this through Gadget Tree, it was supplied by a third party. The person/ company were very good to deal with and dealt with an issue I had both promptly and very professionally. I love the lens for its compactness and image quality and as with all Sony camera products it’s build quality specification is exceptional.
J Vine –
I have been shooting MFT and other crop sensors for years, I finally took the plunge to go full frame after lots of research and deliberation. I was used to the Panasonic system, I’d used G7, G90, G9, TZ series and it made sense to stick with what I knew well. I was not disappointed at all, you get so much camera for the price. The images are just excellent (I am a photographer so can’t speak too much of video), high detail and superb dynamic range. The contrast detect auto focus was a concern coming in, having used it, it serves my purpose superbly and I can lock on to my wriggly daughter with the facial recognition no problem at all with surprisingly accurate results. The 20-60mm and 50mm 1.8 lenses bundled with this camera are quite honestly superb, 20-60 is no ordinary kit lens, showing excellent sharpness through the range and the 50mm produces what I feel are really professional results with some beautiful bokeh. If you are entering into the world of full frame and have a budget, this is without question one of the best you can buy at this price point. 7 people found this helpful
Marie Lodge (verified owner) –
As a videographer who has relied on the Panasonic LUMIX S5 for three years now, I can confidently say it’s been an absolute game-changer for my creative pursuits. But it’s not just for videography – its versatility also extends to stunning photography, making it a true all-in-one powerhouse. From the moment I started using the LUMIX S5, I was impressed by its compact yet robust design. Despite its smaller size compared to some other full-frame cameras, it feels incredibly solid in hand, with weather-sealing that has stood up to various shooting conditions without fail. Whether I’m shooting in the rain or enduring the heat of a desert shoot, the S5 has proven to be reliable and durable. The video capabilities of the LUMIX S5 are where it truly shines. With 4K recording up to 60fps and 10-bit internal recording, it delivers stunningly crisp and detailed footage that rivals cameras far beyond its price range. The dynamic range is exceptional, allowing me to capture both shadow and highlight details with ease. The inclusion of V-Log and V-Gamut further expands creative possibilities, enabling me to achieve the exact look and feel I envision for my projects. But the S5 isn’t just about video – it’s also a powerhouse for photography. The 24.2-megapixel sensor produces beautifully detailed images with rich colors and excellent low-light performance. The autofocus system is fast and reliable, whether I’m capturing fast-moving subjects or shooting in challenging lighting conditions. With a wide range of compatible lenses available, I’ve been able to explore various photographic styles and genres with ease. One of the standout features of the LUMIX S5 is its usability. The intuitive menu system and customizable controls make it easy to tailor the camera to my specific needs and shooting preferences. The articulating touchscreen and high-resolution electronic viewfinder provide flexibility and precision when composing shots, while the dual card slots offer peace of mind during critical shoots. After three years of continuous use, the Panasonic LUMIX S5 continues to impress me with its performance and reliability. It has become an indispensable tool in my creative arsenal, consistently delivering exceptional results whether I’m shooting video or stills. For content creators, filmmakers, and photographers looking for a versatile and reliable camera that punches above its weight, the LUMIX S5 is an absolute standout. I wholeheartedly recommend it to anyone in search of a capable and feature-rich camera that excels in both videography and photography. 5 people found this helpful
jorge Sánchez –
Just got S5 and had gh5 with gx80 for a few years and I am a bit confused
For photos could be a great camera but my main focus is video. The codecs may be better on S5 (4.2.2) but that codecs have a lower bitrate than on GH5. The 4k 60p is cropped so, you could not use FF for wide shots in that mode, you will need a super-wide L mount lens. Lenses are limited on L mount (there is a wide collection of old lenses like m42 with adapter, but there are no native affordable prime lenses) I have plenty of prime lenses 1.4 / 1.8 and full range 2.8 from 7mm to 150mm on the M43 system, and size and weight is just more than half from FF L mount lenses. Quality of the image I would not say it’s a big step up. From GH5 and the right lens, you could get a decent image. The button layout on s5 looks like Panasonic G80 entry-level compared to GH5 which has more extra buttons and better dials. The menu on S5 looks too small for my eye (I think it’s now similar to GH5 mark 2) and I got 20/20 vision so prefer the old style on GH5. Slow-motion on S5 is on a different dial mode S&Q and only records in MP4 format, at least you could store it in custom settings C1 C2 & C3. Low light is definalty better, but from another hand, for the GH5 and 16mm F1.4 lens I need to stay on 640 ISO and image will be clean on low light scenes, where S5 with 20-60mm on 35mm F4.5 I need to push iso to 3500. Image is clean but its 3500 ISO! To have a native L mount lens with 1.4 /1.8I will need to spend another 500/700gbp. I purchased combo s5 with 20/30 and prime 50mm lens 1.8 for 1600gbp I think its a great deal. So wanted to move to FF but now I’m so confused…. S1 & S1H are not for me, they are too heavy, may consider moving to iPhone 13 pro max instead of S5 for the video 
14 people found this helpful
Kathleen Hunter –
Verified Purchase Amazing piece of equipment Reviewed in the United Kingdom on 3 August 2024 Style Name: S5 Pattern Name: Body Only From first time I turned it on it just helps me to capture the most magical moments for myself and my clients. It’s without shadow of a doubt an amazing piece of work that makes me feel like it works for me not with me. 3 people found this helpful